events.

Film-Circuit in Series reveals the hidden energies of silver halide film, treatingit as both image and circuit. Two circuits intertwine: one of tin dendrites, grown upon the organic patterns of video feedback, and the other etched by high-voltage discharge. By triggering the spark through the dendritic circuit, human infrastructure generates Lichtenberg figures, fractal patterns tracing electricity’s passage, in real time.

Inspired by Kirlian photography’s attempt to reveal the aura of living beings, this process exposes a hidden ‘nervous system’ within the film—fragile veins of metal shimmering with spectral energy. As these electrical traces emerge and

dissolve, the film becomes a site of unstable transmissions, where matter itself pulses with a ghostly charge.

Human Infrastructure is a Seoul-based audiovisual noise duo. human infrastructure combines noise music with experiments in expanded cinema to create cybernetic systems in which sound and film image modulate each other. Their idea of audio-visual is not one in which audio affects visuals in a causal way, or visuals determine the sound, but rather one in which audio and visual build upon each other through the incorporation of multiple bodies. Recently, they have been focusing on inscribing generative images on film through electrochemical interventions, and are developing

devices to operate them. human infrastructure also runs Gäro, a lab for experimental analog audiovisuals, to organize screenings, seminars, and workshops for and by artists and scholars of moving images. They have opened for Experimental Film & Video Festival EXiS in 2023 and performed at WeSA Festival in Seoul.

During her residency Oona Libens has been dealing with the topic of death and the afterlife - following her mother's death shortly before. In this ongoing project she explores diverse cultural and spiritual traditions including the Egyptian death cults, Buddhist perspectives, and other more or less esoteric frameworks surrounding the afterlife.

Oona has worked with masks in both the filming and printing process and plays with the three-dimensional possibilities of the screen. Through 16mm film, slide sequences, light and shadow-based imagery the work tries to echo the liminal and irreversible quality of death itself.

At the basis of Oona Libens' creative process is a fascination for light and shadow, which she uses in performative work or in two- or three dimensional objects/installations. Oona uses several analog projection techniques such as the magic lantern, epidiascope, slide projection, 16mm film and overhead projections. With a manual approach she visualises scientific topics, combining live image making with a more or less narrative soundscape, Her performances are a hybrid between object theatre, expanded cinema, pseudo-science and poetry.

Kindly supported by Nordic Culture Point, Konstsamfundet, Taike and Vaasa city.

https://oonalibens.com/

We recently introduced our resident artist, Olga Drozd from Ukraine. Now, she invites you to get to know her better.

On Friday, March 21, an artist talk will take place, where Olga will share her key projects, discuss pivotal moments in her artistic journey, and reflect on her professional path. She will also talk about the themes that concern her now—new ideas and projects currently in progress.

The event will have a relaxed atmosphere: after the main presentation, there will be time for open conversation. The talk will be held in Ukrainian and Swedish.

We look forward to seeing you this Friday at 6:00 PM!

The residency has been generously supported by Nordic Culture Point, Artists-at-Risk, Taike and Vaasa city.